Giallo Month: Perversion Story (1969)

“Learn the rules so you know how to break them properly”… Yes, the Dalai Lama really said that in a chain email forwarded round and round the world in 1999 by people who probably also owned refrigerator magnets saying “Forget love, I’d rather fall in chocolate.”

Or perhaps he didn’t. It doesn’t really matter. What matters is that it’s generally good advice and, if you look at the evidence (Picasso painted realistically as a teenager; Stephen King was a high school English teacher) it also holds true. It’s certainly a good argument to use when you want to counter anyone who claims that “Godfather of Gore” Lucio Fulci couldn’t tell a coherent story. Prior to his whirlwind run of insane splatter masterpieces beginning in 1979 with Zombie, Fulci crafted dozens of straightforward comedy, drama and action films – as well as a number of neatly-constructed gialli, including the widely-praised Don’t Torture a Duckling and, my favourite of his, Lizard in a Woman’s Skin.

But it’s his first giallo, Perversion Story (aka One on Top of the Other), which he also co-wrote, that shows him demonstrating his tightest grip on plot. It’s a kind of giallo spin on Hitchcock’s Vertigo, even set in San Francisco, and focusing on a man (Jean Sorel) who becomes obsessed with a woman who looks just like his dead wife. In this case, however, she’s a nightclub stripper fond of disrobing atop a golden motorbike in front of a screen covered in psychedelic blobs (ah, the Sixties) and he’s an adulterous surgeon who may have been responsible for his wife’s death in the first place (ah, the giallo genre).

While, naturally, the situation quickly descends into a complex web of deceit and murder, the perhaps surprising thing is that it never stops making sense and, particularly as it moves into its final third, becomes extremely tense. There’s no killer on the loose stabbing prostitutes in the eye with a melon baller but, what Perversion Story lacks in gimmickry, it makes up for with pacy plotting and a couple of genuinely surprising twists. And what it lacks in kitchen utensils, it also makes up for in fabulous Sixties fashion and decor (seriously, it’s one of the most sumptuously designed 60s flicks I think I’ve ever come across).

If there is a fault, it’s that none of the characters are particularly likeable, although this is tempered by the fact that Jean Sorel and his co-star Florinda Bolkan are two of the best-looking stars in all of giallo, and together share a subtle but devilish kind of chemistry. The ending, while conclusive, also falls perhaps one scene short of being totally satisfying, but not in a way that spoils proceedings.

Not a movie I ever thought I’d end up reviewing for Retro Slashers, then, but one that fully deserves a mention during Giallo Month. Seek it out – it’s the Dalai Lama’s favourite film… Honest!



Fulci Frenzy (DVD)

Director: Lucio Fulci
Starring: Jennifer O'Neill, Marc Porel, Marisa Mell, Jean Sorel, Elsa Martinelli
Rating: Unrated

List Price: $29.95 USD
New From: $26.99 In Stock
Used from: $999.99 In Stock
Release date July 14, 2009.

About the Author

Horror-loving librarian and blogmaster of Anchorwoman In Peril!(http://anchorwomaninperil.blogspot.com) and My First Dictionary (http://myfirstdictionary.blogspot.com)

6 Responses to “ Giallo Month: Perversion Story (1969) ”

  1. Great movie, one of my favourite Fulci’s (along with Four of the Apocalypse and City of the Living Dead). It was a shame about Marisa Mell.

  2. I agree, Christian. For some reason, I didn’t expect to like this but it was a very enjoyable watch and, as much as I love Fulci, I didn’t feel I had to make the usual concessions… I’m sure anyone could just watch and enjoy it! Sad about Marisa Mell — I hadn’t heard. She was definitely the dark heart of this film.

  3. The film was very seductive and has a lush score that is available with the DVD. Marisa Mell was hot in Danger: Diabolik as well. Damn shame!

    You should check out The Psychic as well.

  4. Great piece, Ross. Perversion Story is one of my faves. Christian – I’d not heard about Mell. Too bad; she was a terrific screen presence.

  5. Normally. I find late 60s films with this kind of look a bit annoying, but I like this one.
    The charge that Fulci films are incoherent doesn’t bother me because most of the people who level it don’t really like any of the great Italian horror films.

  6. ah, the giallo genre!

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